Raphaelle Peale
Raphaelle Peale (1774–1825) was an American painter best known for his still lifes, and he is considered one of the first professional still-life painters in the United States. Born in Annapolis, Maryland, into a prominent artistic family, Raphaelle was the eldest surviving son of Charles Willson Peale, a well-known American painter and naturalist. The Peale family was highly influential in early American art, with several members, including Raphaelle’s brothers, also pursuing careers as artists.
Raphaelle Peale’s early training was under the tutelage of his father, who was renowned for his portraits of Revolutionary War figures and his establishment of one of the first art museums in America. However, while other members of the Peale family focused on portraiture and historical subjects, Raphaelle gravitated toward still life painting, which was less common in American art at the time. His still lifes often featured fruit, vegetables, and flowers arranged in simple yet elegant compositions. His works are known for their quiet, contemplative mood, attention to detail, and mastery of light and shadow.
Some of Peale’s most famous still lifes include Still Life with Strawberries (circa 1816) and Melons and Morning Glories (1813). These works display his meticulous technique and an almost scientific interest in the depiction of natural objects. Despite his talent, Peale’s career was hampered by ill health, possibly due to poisoning from the chemicals he used while working as a taxidermist.
Today, Raphaelle Peale’s work is celebrated for its pioneering role in American still-life painting. His paintings are held in major collections, including the Metropolitan Museum of Art and the Philadelphia Museum of Art.
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Full Name: Raphaelle Peale
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Birth and Death: 1774–1825
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Profession: Painter
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Influences: Early American Realism, Still Life
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Legacy: Considered the first professional American still-life painter, Peale’s works are celebrated for their attention to detail and their contribution to the development of still-life painting in the United States.
