Evelyn De Morgan
Evelyn De Morgan (1855–1919) was an English painter associated with the Pre-Raphaelite and Symbolist movements, renowned for her spiritual and allegorical works that often depicted themes of mysticism, mythology, and the human condition. Born Evelyn Pickering in London, she demonstrated artistic talent from an early age and studied at the Slade School of Fine Art, becoming one of the few women of her time to receive formal training. Strongly influenced by the works of Dante Gabriel Rossetti, Edward Burne-Jones, and the Pre-Raphaelite Brotherhood, De Morgan developed a distinctive style characterized by vivid colors, meticulous detail, and a fascination with symbolism.
De Morgan’s paintings frequently explore themes of spiritual transformation, the struggle between good and evil, and the role of women, often portrayed in mythical or allegorical settings. Her works, such as "The Soul’s Prison House" (1889), "Flora" (1894), and "The Angel of Death" (1890), reflect a blend of Renaissance techniques and a symbolic narrative style. She often employed strong female figures to embody concepts like hope, wisdom, and liberation, challenging the traditional roles assigned to women in Victorian society. De Morgan was deeply interested in spiritualism, alchemy, and the esoteric, which permeated much of her work and set her apart from many of her contemporaries.
In her personal life, Evelyn married the ceramicist William De Morgan, with whom she shared an artistic and intellectual partnership. Together, they became part of the broader Arts and Crafts Movement, advocating for artistic integrity and social reform. Today, De Morgan’s works are celebrated for their rich symbolism, imaginative compositions, and vibrant use of color. Her paintings are held in several collections, including the De Morgan Foundation in London, the Victoria and Albert Museum, and the Birmingham Museum and Art Gallery, where they continue to captivate viewers with their beauty and depth.
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Full Name: Evelyn De Morgan (née Pickering)
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Birth and Death: 1855–1919
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Profession: Painter
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Influences: Pre-Raphaelite Brotherhood, Symbolism, Dante Gabriel Rossetti, Edward Burne-Jones
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Legacy: Known for her allegorical and spiritual works; her paintings are held in collections like the De Morgan Foundation, the Victoria and Albert Museum, and the Birmingham Museum and Art Gallery.
