Study for A Sunday on La Grande Jatte

Study for A Sunday on La Grande Jatte by Georges Seurat

Study for A Sunday on La Grande Jatte by Georges Seurat, created in 1884-1885, is a preliminary work for one of Seurat’s most renowned masterpieces. This study offers a glimpse into the meticulous planning and composition involved in the final piece, which is considered a landmark in the development of Pointillism and modern art.

The study depicts a section of the iconic scene from the final painting, featuring figures leisurely enjoying a day in the park on the banks of the River Seine. Seurat’s use of small, distinct dots of color in the study, while less developed than in the final work, demonstrates his innovative approach to color and light. This technique, known as Pointillism, involved placing tiny dots of pure color on the canvas, which blend optically when viewed from a distance.

This preparatory work is essential for understanding Seurat’s methodical approach to composition and color theory. It shows his detailed planning and the gradual build-up of the painting's complex visual effect. The study reveals Seurat’s commitment to creating a structured, scientific approach to capturing light and form, laying the groundwork for his groundbreaking painting.

• Where and When Made: France, 1884-1885
• Medium: Graphite and oil on canvas
• Full Artwork Name: Study for A Sunday on La Grande Jatte
• Artwork Style: Pointillism, a technique developed by Seurat involving the use of small dots of color
• Current Location: In a museum or private collection
• Subject/Topic: A preliminary study for Seurat’s final painting, depicting figures in a park setting and illustrating his methodical approach to color and composition.